2013-2014 ACT BUDGET SUBMISSION

The Childers Group believes that the 2013-2014 ACT Budget is the most important budget for the regional arts community in a decade.

The Childers Group acknowledges that the ACT Government is a significant supporter of the arts development of the ACT and neighbouring regions.  The Government is the primary financial contributor to over twenty key arts organisations, which enable the community to access a diversity of programs and enable professional artists to progress their careers, many reaching national and international audiences.  The Government also supports individual artists directly through the ACT Arts Fund and its associated programs.

In this Centenary year, we’re experiencing the maturing of much of this activity, with a rich and exciting array of events and programs in which our community and visitors can participate. Therefore, the 2013-2014 ACT Budget is the most important one for the arts in a decade, as it must build on the momentum ignited by the Centenary.

It’s an opportunity too good to miss.

What services does the Childers Group believe are most important for the Territory?*

Air artistA modern and mature society such as the ACT’s deserves ongoing access to a wide variety of arts and cultural programs.  In general, the Childers Group supports the broad intent of the programs delivered by the ACT Government through its two main arts and cultural bodies – artsACT and the Cultural Facilities Corporation.  However, the Group also advocates for ongoing review to ensure that the programs delivered are cost-effective and productive.  Consulting with the arts community is critical in any review process, and the Childers Group is able to assist in this regard. Funding levels must also be regularly revisited to ensure that delivery is professional, sustainable, and reaching the community.

What infrastructure priorities should the Government consider initiating in the next four years?*

  • The realistic support of key arts organisations – ensure that through the ACT Arts Fund CPI continues to be provided to Key Arts Organisations on an annual basis.
  • Appropriate pay for arts workers – ensure that there are no professional arts workers employed by Key Arts Organisations earning less than the average Australian wage of approximately $55,000 per annum. The Childers Group advocates for the benchmarking of professional arts worker salaries with salaries in the Community Sector and with arts personnel in other states and territories. Payment of ACT arts workers’ salaries commensurate with their skills and experience will ensure the retention of qualified people with the necessary expertise to manage Canberra’s arts and cultural services.  It will also ensure the sound management and development of strong policies within the key arts facilities built by the ACT Government.
  • Related to pay for arts workers is the critical issues of superannuation and long-service leave provisions the increase in superannuation up to 12% begins in 2013 and increases steadily over the next five years and will have an impact on all funding, for organisations and one-off projects. The position of arts organisations in relation to retaining staff and meeting ACT long-service leave obligations is also a real and increasing cost attached to the $55 per annum figure mentioned above. The arts have obligations like any other business and if there is a commitment to addressing retention of artists and arts staff in the ACT then there are real costs attached to that – more so than other states e.g. there are greater long-service leave obligations in the ACT
  • Private-sector philanthropy – there is an urgent need for an incentives-based approach that brings together business and arts in the ACT, not necessarily paying an individual to broker relationships but rather developing a suite of strategic benefits for investment by business and individuals in the arts.  We strongly advocate for the ACT Government to provide seed-funding in the first instance.
  • You are hereOngoing funding of the You Are Here festivalYou Are Here is a cross-arts festival showcasing the ACT’s alternative arts and underground culture. It highlights the energy, innovation and talent of Canberra artists past and present, presenting and promoting their work in non-traditional venues, revitalising inner-city spaces and attracting new audiences. The Festival is one of the most tangible outcomes of the build-up to the Centenary and considerable support for its continuation was raised during the Childers Group forums in 2012.  We estimate that the Festival requires a minimum of $150,000 per annum over the next three years to build on its successes to-date and become a regional and state-wide cultural drawcard.  It is essential to showcase the art forms of youth and to engage new audiences with contemporary ideas and arts practice.
  • Increased support for one-off arts activities the ACT Arts Fund’s ‘project round’ supports one-off activities for individual artists and groups of artists to initiate and develop their own independent projects. Key arts organisations provide core infrastructure, but they cannot be ‘all things to all people’, nor do they receive program funding to engage artists on major projects. The Project Funding category is – regrettably – supporting fewer projects each year due to the increasing cost of delivering arts projects; this is especially true of the performing arts. The Childers Group strongly advocates for this category to receive additional funding of $250,000 per annum over the next three years.  This is particularly important in building on the momentum of the Centenary celebrations.
  • A dance hub – Ausdance ACT recently conducted a review of dance facilities in Canberra.  The organisation found that the numbers of dancers, particularly in schools and other cultural groups, is under-reported, but statistics indicate over 10,700 people participate in dance in the ACT.  The Ausdance review found that there is an urgent need for good facilities in the ACT.  Building on the ‘hub’ model, Canberra needs a high-quality dance hub with state-of-the-art facilities.  The facilities could be shared between a number of organisations, offering space for schools, classes, and our independent dance creators and choreographers as well as performers.  Locations that are currently under-serviced and would be suitable sites include: the inner sections of central Canberra, Gungahlin , Central Belconnen, South Tuggeranong, and Weston Creek. The Childers Group commends the review and endorses the recommendations.
  • A world-class artist-in-residence program – The ACT region has all the ingredients to offer a world-class artist-in-residency program for all art forms: a planned and accessible city, a seat of modern democracy, a suite of national cultural institutions, over twenty key arts organisations, nationally recognised tertiary education providers, a vibrant urban environment surrounded by natural beauty and pastoral landscapes, a network of country towns, and a diverse and engaged population.  Artist-in-residency programs offer time and space to create, but also help to bring in national and international artists to work with local artists and the community.  Recently the ACT Government developed a policy statement and tool kit, along with a small amount of funding for 2011/2012 and 2012/2013.  The Childers Group strongly advocates for ongoing funding of $200,000 over the next four years in order to fully realise the potential of the program.
  • Significantly enhanced arts-in-education services the establishment of an Arts-in-Education Officer position would build relationships, partnerships and programs between the Education Directorate and the Community Services Directorate. Ideally this should be a Senior Officer Grade C, paid for by the Education Directorate, with the officer spending 50% of time in Education and 50% at artsACT. In the first instance, this should be a 3-year initiative. Similar initiatives in other states e.g. WA, have proved very beneficial. Establishing and consolidating existing links between artists, arts organisations and schools and the tertiary sector should be a key component of the work. Engagement in the arts throughout a child’s schooling, including early childhood, has immeasurable benefits which are now both quantifiable and proven in countries that have invested in strong arts programs within their schools.
  • Improved arts publicity and promotion services – the arts are an important tourist attraction in Canberra. To increase publicity for the arts there needs to be a specific ACT Government program to ensure closer liaison between the arts sector-local and national, and ACT Tourism.  We are seriously missing out on creative marketing that effectively and powerfully links the cultural attractions and food and wine trails of our region. This has been done to great effect in Victoria and Tasmania.  The Childers Group believes that with a more strategic approach cultural tourism could be strengthened in our region.
  • A whole-of-government service approach to arts development encouraging all directorates and agencies to examine ways in which they may directly or indirectly support the arts would enhance cultural life in CanberraFor example, potential exists for the development of collaborative arts arrangements with health, education, and heritage.  To make this a reality, the Childers Group recommends the creation of specific position within the ACT Government to facilitate connections and multi-directorate programs and projects.
  • Building creative partnerships with the regions – in many ways the ACT not only services the arts and cultural needs of its own citizens but also those who live in the neighbouring regions.  The regions have their own strengths and challenges, but greater partnerships between the ACT and the regions would result in deeper and more diverse opportunities; additionally, it would further cement this part of Australia as one of the most creative, leading to an increase in cultural tourism.  The Childers Group advocates for the establishment of a specific Regional Partnerships Fund at $100,000 per annum over the next three years and to be delivered by artsACT in close consultation with the regional arts development offices such as Southern Tablelands Arts (STARTS) and South-East Arts Region (SEARS).

Should the Government maintain its current suite of services?*

Yes, the ACT Government must maintain its current suite of arts and cultural services.  However, it should also investigate ways of improving the services to maximise their reach into the community and ensure that artists are receiving the support needed.  Funding realistically is the key, as is ensuring organisational sustainability and growth.

How can the Government deliver current services more efficiently and productively?*

In broad terms, the Childers Group supports the notion of arts hubs – co-locating similar organisations to rationalise administrative costs, to increase community access, and create an overall sense of vibrancy.  However, we also believe that arts hubs are more appropriate to some art forms than others – for example, dance (as mentioned above) and visual arts at the Kingston Foreshore – and that in some instances co-locating dissimilar organisations may also have positive results – for example, co-locating the ACT Writers Centre with ScreenACT may result in positive synergies.  The Childers Group strongly advocates that there is more work to be done to realise the potential of arts hubs work, particularly in terms of sector commitments versus individual organisation commitments.

Are there any services the Childers Group considers that the community should make a direct contribution to (a fee for service)?*

Matt Ellis CollectiveThere is already a considerable fee-for-service culture in the ACT’s arts sector.  For example, most programs and workshops provided by the ACT Government-funded key arts organisations have a fee attached, as is membership of organisations.  In general, the Childers Group supports a fee-for-service approach, but also acknowledges that fees need to be kept affordable in order to maximise accessibility.  It should be recognised that for many communities participating in arts activities is as much about social interaction than creative production and these activities should be low-cost or free wherever possible, which is consistent with the accessibility theme raised in the Loxton Report.

The recent initiative of the ACT Government in supporting six Community Cultural Inclusion Officer positions to engage our community in creative activities is an important step in helping address access.  Skilled facilitators are essential for inclusive community cultural development.

The ACT leads our nation in both community participation and attendance at arts and cultural events. The Childers Group strongly recommends consideration of increased investment in the arts as outlined in our submission. As our city and the region grow and develop, so too must our thinking in terms of providing opportunities and encouragement for our artists to stay, and nurturing creativity and social engagement within the wider community.

With this kind of support, the ACT region will continue its development as a vibrant, engaged, confident and sophisticated National Capital area.

The next creative generation depends on it.

If you would like to provide feedback on the Childers Group’s 2013-2014 ACT Budget submission, please email us childersgroup@gmail.com or engage with us through Facebook or Twitter.

* Questions asked by ACT Treasury

CHILDERS GROUP CLIMBS TO THE HEIGHTS OF ARTS PEAK

Rock climbingThe Childers Group, the only arts advocacy body for the ACT region, has joined ArtsPeak, the confederation of Australian peak arts organisations.  This is an exciting opportunity for us.  Since our establishment in 2011 we have found our feet and started to have a real impact on the development of the arts and cultural life of our region.  However, joining ArtsPeak enables us to situate our advocacy in a broader national context.

The membership of ArtsPeak includes 30 key advocacy organisations, including the National Association for the Visual Arts, Regional Arts Australia, Ausdance, Young People and the Arts Australia – and now the Childers Group.

Joining ArtsPeak gives our advocacy a certain gravitas.  This is particularly important as the ACT and region is currently celebrating significant milestones, including the Centenary of Canberra. The Childers Group is already starting to think about what happens next in our region and we’re thrilled to now be in a position to bounce ideas off our ArtsPeak colleagues and be a part of a connected, informed and energised national arts advocacy movement.

ArtsPeak’s priorities for the immediate future are:

  • a long-term cultural framework and the necessity for adventurous arts policies that emphasise cross-departmental support for arts and culture – this will need a much greater funding commitment to sustain and grow arts infrastructure and to support the intrinsic and economic contribution of artists.
  • the viability of creative practitioners’ careers with appropriate professional development and lifelong skills that contribute to the economic and cultural life of the community, with fair payment and ethical conditions supported by appropriate legislation and regulation.
  • the importance of a good arts education from early childhood through school and into higher education, anticipated by the introduction of the Australian Curriculum for the Arts in 2014 – TAFE cuts to arts training and the gradual contraction of arts education options in universities are of major concern.
  • greater need for better recognition of and support for the diversity of the arts, including Australia’s unique Indigenous culture, multicultural communities and people with disability across urban, regional and remote Australia – the importance of international engagement and exchange is strongly advocated.
  • maintenance of the arm’s length and peer-assessment principles in the restructure of the Australia Council, and greater flexibility and responsiveness to developments in the arts sector – ArtsPeak strongly argues that art form expertise should be maintained.

 

OUR FIRST YEAR: A STRONG VOICE… TOGETHER

Established in November 2011, the Childers Group has now had its first birthday and to celebrate the Group’s released a summary of its advocacy actions to-date.  We formed last year to be a positive and well-considered voice for the arts in the ACT region. We believe that we’ve been able to do that, together with all those who’ve attended our two forums and shared their ideas and hopes for the future.  Economic instability can often lead to reduced investment in the arts, and the Childers Group’s mission is to make sure the opportunities and values of the arts are heard by the decision-makers, and action ensues.

The Childers Group is a body made up of nine voluntary members, so we rely on others to help us do what we do.  We take this opportunity to thank all those who’ve helped us with venue-hire, advertising, graphic design, and web-support.  We appreciate it very much.

Next year marks the Centenary of Canberra, and there are also some significant milestones in the region, including Goulburn’s 150th birthday as a city.  The varied events planned for these celebrations provide a once-in-a-lifetime opportunity for us to showcase the extraordinary arts and cultural activity that is part of our everyday life.

Here’s a list of the Childers Group’s advocacy actions during the 2011/2012 period:

  • Advocated for Writing Australia to continue to have its headquarters in the ACT, including through correspondence to the Australia Council for the arts and the ACT Cultural Council (January 2012)
  • Provided a submission on the 2012/2013 ACT Budget consultation process, advocating for a range of policy ideas and actions (February 2012)
  • Provided a submission on artsACT’s draft Arts Policy Framework (March 2012)
  • Held our first forum, ‘Burning Issues and Radical Ideas’, which was attended by approximately 150 people, including Robyn Archer, Creative Director of the Centenary of Canberra, and two members of the ACT Legislative Assembly (held at the Street Theatre in April 2012)
  • Wrote a 1200-word opinion piece highlighting the importance of celebrating the ACT region’s artistic and cultural achievements, which was published by The Canberra Times (May 2012)
  • Released our ‘Vision for the Kingston Arts Precinct’ document (July 2012)
  • Advocated for the ACT Government’s new Events ACT website to make reference to all art-forms (July 2012)
  • Meetings with the board of the Cultural Facilities Corporation and the Canberra Business Council’s Small Business Taskforce (mid-year)
  • Met with The Canberra Times about the importance of employing professional arts journalists, including retention of the literary editor position (July 2012)
  • Released our ‘Six Key Opportunities for the ACT region’ document (August 2012), which included: the Kingston Arts Precinct, the ANU School of Music, a dance hub, arts-in-education including an ACT-wide poetry slam program, and a world-class artist-in-residence program
  • Twice met with MLAs representing the three main political parties in the ACT in the lead-up to the 2012 ACT Legislative Assembly election (September 2012)
  • Held our second forum, which provided an opportunity for the three main political parties in the ACT to present their respective arts policies, with questions from the various art-form sectors (held at Canberra Museum and Gallery in September 2012)
  • Advocated for the appropriate and sustainable funding of fine-art courses provided through NSW TAFE (November 2012)
  • Distributed a variety of media releases, including on Geoffrey Rush being named Australian of the Year and Caroline Stacey being named ACT Artist of the Year
  • Various media interviews, including print and radio

 

Congratulations to Caroline Stacey, ACT Artist of the Year

The Childers Group congratulates Caroline Stacey being named as the ACT ‘City News’  Artist of the Year for 2012, which is awarded by the Canberra Critics Circle.

Caroline  is a very fine example of someone who is making a significant contribution to the creative life of the ACT Region.  She is known for her artistic daring and her tenacity, and she’s been an influential advocate for the arts, particularly in terms of theatre.

It is most fitting for Caroline to be recognised in this way, and it is encouraging for all of us who are working to see the arts being placed at the very centre of Australian life.

Caroline Stacey is the Artistic Director/CEO of the Street Theatre, and is a foundation member of the Childers Group.

The Childers Group congratulates all the artists who received awards and the Canberra Critics Circle for its work in honouring creative excellence in the ACT region over the last twenty-two years. This, too, is an extraordinary achievement.

A letter to the Hon. Barry O’Farrell concerning cuts to NSW TAFE fine-arts courses

The Hon. Barry O’Farrell, MP
Premier
NSW Government
GPO Box 5341
SYDNEY NSW 2001

Dear the Hon. Barry O’Farrell,

CUTS TO FINE-ARTS COURSES OFFERED BY NSW TAFE

On the behalf of the Childers Group, an independent arts think-tank for the ACT region, I write to express considerable concern at reports that the NSW Government will cease offering fine-arts courses through TAFE.

Whilst the Childers Group recognises that the NSW Government is currently undergoing a process to reduce costs, we respectfully but unreservedly suggest that cutting opportunities for people in NSW to access a fine-arts education through the TAFE system is short-sighted and requires urgent review.

The Childers Group notes that many of those educated through the TAFE system find work in the creative industries.  The creative industries are enablers of creative networks and spaces and of new business models. They contribute 2.8% of gross GDP (more than agriculture, communications, and electricity, gas and water supply). The visual arts, design and architecture makes up over 11% of the creative industries and have been growing in terms of employment opportunity.  To significantly reduce opportunities to enter this workforce could not be seen to advance the needs of those living and working in the NSW, particularly those in regional areas.

Further, whilst some members of the community undergo arts training through the TAFE system to enable themselves to work in the arts sector, many pursue these opportunities simply as a way of building connections and skills – this is particularly relevant for regional areas where unemployment tends to be higher than metropolitan areas and there is a real need to build confidence and social capacity.  There is ample Australian and international research that draws a direct link between creative practice and personal/community wellbeing.  At a time when social cohesion could be said to be a priority, we suggest that there is a need to fund fine-arts courses at a higher level, not at a lower level.

The Childers Group, which was established in 2011 to be a positive and productive voice for the arts in the ACT region, offers expertise in the visual arts, music, dance, film, theatre and performing arts, youth arts, community arts, and literature.  Our members have local/regional as well as national and international expertise and connections.  We live in and advocate for both the ACT and adjacent regional areas of NSW.  The Group is available to act as a sounding board to the NSW Government in terms of the arts, and we would be more than willing to meet with you direct to discuss this matter further.

To arrange a meeting, or to seek more information, please contact the Childers Group’s coordinators Nigel Featherstone or Evol McLeod on 0428 810 442 or 0406 378 889, or via email on childersgroup@gmail.com.

In closing, I strongly urge you to recognise the value of TAFE arts education to NSW and to ensure it continues to be funded at viable levels.

Yours sincerely,

 

Professor David Williams AM

Spokesperson
The Childers Group –
an independent arts forum

www.childersgroup.com.au

 

November 2012

 

Forum No. 2: the guts of the discussion…and now it’s up to you to vote

On Wednesday 19 September 2012 at the Canberra Museum and Gallery Theatrette, the Childers Group held its second forum, organised for the lead-up to the ACT Legislative Assembly election (on 20 October).  The speakers were: Joy Burch, ACT Minister for the Arts; Vicki Dunne, ACT Opposition Spokesperson for the Arts; and Caroline Le Couteur, Greens Spokesperson for the Arts (positions as at September 2012).

Each speaker was asked to present their respective political party’s arts policy.  Approximately 70 members of the ACT-region arts community attended; representatives from the various art forms asked questions, and there were general questions from the floor.  Actor and professional communicator Andrea Close facilitated the two-hour discussion.

The arts policies as presented at the forum can be found by clicking on the following links:

Whilst the Childers Group does not necessarily endorse any elements of the policies presented at the forum, we note some common themes that emerged from the discussion, which we suggest are also opportunities:

  • importance of acknowledging the ACT’s high level of participation in the arts
  • there is a direct link between arts and creative expression and emotional wellbeing, and this should be further acknowledged
  • there is also a direct link between creative activity and economic development
  • further developing arts activity in schools – for all arts sectors – is vital to the creative health of the region’s young people
  • artist-in-residence programs provide a real opportunity for local, national, and international artists to work in the ACT
  • the Kingston Arts Precinct is a critical opportunity for the ACT region
  • good clear communication between arts sectors is crucial, as is communication between the arts community and the broader community of the ACT region
  • public liability insurance is a key challenge for arts events, particularly live music
  • also in terms of live music, providing appropriate venues continues to be an issue
  • important to retain the community cultural inclusion officers
  • demand from professional dance practitioners in Canberra  is growing for a purpose-built dance facility that will encourage independent dance practice and further develop the dance profession through provision of professional facilities
  • demand may also be growing for a purpose-built facility for Indigenous arts practice
  • in regards to film, there needs to be investment in studio infrastructure
  • there is a need to build employment opportunities for theatre practitioners
  • need for ongoing consultation and dialogue between key arts organisations and the ACT Government
  • there are ongoing opportunities to build mutually beneficial relationships between ACT arts organisations and the national cultural institutions based in the region.

The above list is not intended to be exhaustive, and we again encourage all those interested in learning more about the discussion at this forum to visit the websites of the three main political parties in the ACT.

The Childers Group also recommends that if you were inspired by an idea presented at the forum, or you have an idea of your own, you make contact with the relevant key arts organisation or advocacy body – email us if you need assistance with who to contact.

For more information about the key areas of Childers Group advocacy, click here for a list of our six key opportunities, and here for our vision for the Kingston Arts Precinct.

THANK YOU!

Poet Andrew Galan

Here’s a huge THANK YOU to everyone who made our second forum for the year – held on Wednesday 19 September at the Canberra Museum and Gallery – such a success.  Thank you to Andrew Galan and Miranda Lello who kicked off proceedings by giving us a taste of poetry slam.  Thanks to the three Members of the ACT Legislative Assembly: Joy Burch (Labor), Vicki Dunne (Liberals) and Caroline Le Couteur (Greens) – we appreciate you giving so much of your time in preparing for the forum, presenting your arts policies, and answering questions.  Thanks to those who represented their sectors: Peter Bayliss (contemporary music), Alexander Boynes (visual arts), Raoul Cramer (theatre), Monica Penders (film), Philip Piggin (community cultural development), Neil Roach (dance), Michael Sollis (fine music), and Rosy Stevens (literature).  Thanks to those who asked questions and participated in the democratic process.

A forum of this sort needs expert facilitation, and that’s what we had in Andrea Close – we appreciated how you kept everything rolling along like clockwork.  Thank you to the Cultural Facilities Corporation, especially the members of the front-of-house staff who were instrumental in making the forum happen.  Thanks to New Best Friend who always make us look fabulous.  And lastly, but most importantly, thanks to the 70 or so who came along and packed out the venue to show that people are willing and wanting to have a robust discussion about the importance of the arts and community creativity in the ACT region.

What happens now?  We’ll get a summary of the discussion up here shortly.   And then, of course, there’s the ACT election on Saturday 20 October.

Our next forum – you’ve booked us out!

Just a quick update to say that we’re completely thrilled with the response to our second forum – we’re booked out!  It’s great to know so many people are interested in having a discussion about arts policy in the lead-up to the ACT election next month.

A couple of things.  Firstly, if you haven’t RSVPed but would like to attend, the Canberra Museum and Gallery is formulating a waiting list – you’re welcome to put your name down on that.  Secondly, if you have RSVPed but can’t attend at the last minute, please contact the Canberra Museum and Gallery so someone on the waiting list can take your place.  Here’s looking forward to a wonderful discussion about what it means to be a creative region!  Any questions or comments, just drop us a line.

The Childers Group’s six key opportunities for the ACT region

MARKET CANBERRA AS ‘THE CREATIVE CAPITAL’

There is a process underway to review the brand of Canberra.  A branding exercise needs to offer an insight, hopefully with a unique selling proposition.  With regard to Canberra we suggest the city should be positioned as ‘The Creative Capital’.  Why can we make such a bold claim and why is it important:

  • it is Australia’s only ‘designed’ city;
  • it has the highest per-capita representation of creative-industry business and employees in Australia;
  • through our national cultural institutions Canberra is the holder of the cultural artefacts that articulate the Australian story;
  • we have Australia’s most distinctive (ambitious) collection of public art;
  • the arts attract  visitors – statistics from recent visual arts blockbusters make this clear; and
  • we have great artists in the region – let’s value them and recognise their achievements while promoting a different face for Canberra.

THE KINGSTON ARTS PRECINCT

In terms of the Kingston Arts Precinct, what is most important is that all those committed to the arts and cultural life of our region – especially the ACT Government – have a grand vision, a strategic overview, a long-term plan for what’s needed to develop this area as a lively precinct for arts activity and cultural events.  It’s a rare opportunity for the ACT to work with the various development authorities and stakeholders to establish an exciting set of cultural facilities and creative spaces in the vicinity of the iconic Kingston Powerhouse, now the home of the Canberra Glassworks, which is already a major national attraction.  The Childers Group’s vision is a vibrant and accessible arts precinct for the visual arts in all its diversity, including film, new media and creative industries such as architecture, graphic design and digital technologies.  In the Childers Group vision, Kingston is a place for live performance to happen but music would not be the focus.

The full vision statement for the Kingston Arts Precinct is available here.

THE ANU SCHOOL OF MUSIC

The School of Music was established in 1965 as an autonomous ‘conservatorium’ model of teaching (one-to-one) and performance. This vision was part of a long-term plan to stimulate, develop and enhance professional musical life in Australia’s emerging national capital city.  Funding was available to employ outstanding, experienced professional musicians for instrumental teaching and performance. Since then, the School’s presence has been the ‘life blood’ and a major contribution to every aspect of Canberra’s musical activity and the cultural life of the city. The reputation of the School of Music and School of Art was highly regarded nationally. Since 1992 when the School of Music (and the School of Art) amalgamated with the ANU, its teaching in schools and participation in concerts, performances, youth music activity and events have been a major part of Canberra’s cultural life and the public face and community profile of the ANU.

Recent developments have seen the School of Music facing funding challenges. A revised ‘university model’-based curriculum, staff cuts and new budget arrangements have been proposed to achieve financial viability and the future of the School. The changed curriculum will inevitably see the loss of key professional instrumental teacher/performers and consequently their loss to Canberra’s musical life.

The ANU, ACT Government and community support for music education in Canberra is essential to ensure professional expertise is available for teaching, participation in the Canberra Symphony Orchestra, music ensembles, choral societies, youth music, festivals and musical events. The ANU and the ACT must work together to ensure the continuation of a professional level of music performance in Canberra and the ACT region.

A radical option might be the establishment of new ‘National Academy of the Arts’ outside the university sector where the conservatorium model does not easily fit.  A National Academy of the Arts based in Canberra eventually accommodated in ‘state of art’ group of facilities could cater for music, visual arts, dance, theatre and film capitalising on the strong base of life and activity already present in these disciplines.  This visionary option is seen as a long-term possibility for Australia’s national capital city but would require dedicated funding commitments from Federal and ACT governments and the private sector, new legislation, governance and administrative arrangements.   The ACT Government could take a lead on facilitating discussions about the future.

A DANCE HUB

Ausdance ACT recently conducted a review of dance facilities in Canberra.  The organisation found that the numbers of dancers, particularly in schools and other cultural groups, is under-reported and there is a need for good facilities in the ACT.  Building on the ‘hub’ model, Canberra is in the need for a high-quality dance hub with state-of-the-art facilities.  The facilities could be shared between a number of organisations, offering space for schools, classes, and our independent dance creators and choreographers as well as performers.  Locations that are currently under-serviced and would be suitable sites include: the inner sections of central Canberra, Gungahlin , Central Belconnen, South Tuggeranong, and Weston Creek.

ARTS IN EDUCATION, INCLUDING AN ACT-WIDE POETRY SLAM PROGRAM

There has been considerable progress in establishing links between education and the arts in the ACT but more can be done to strengthen this relationship.

The Childers Group encourages the ACT Government to prioritise arts programs in schools. We would like to see an expanded commitment to include additional artists-in-residence and the establishment of a Canberra-wide Poetry Slam-in-Schools program. There is capacity within the ACT – and region – to provide an exciting and culturally rich experience for young people by encouraging participation in a very ‘cool’ art form that’s gaining world-wide recognition as an important emerging art form.  Engagement in contemporary and relevant arts programs designed for young people has been shown to enhance their enjoyment of school, build self-confidence and lead to a stronger sense of community.

There is strong evidence from research undertaken in secondary schools, both within Australia and the United Kingdom, indicating engagement in the arts results in major benefits to young people. These include enhanced knowledge of social and cultural issues, development of creativity and thinking skills, increased communication skills, advances in social development and a heightened self-esteem. These are lifelong skills and worthy of investment.

The Childers Group estimates that $100,000 per year for three years would be sufficient to establish the ACT Poetry Slam-in-Schools program.  The program should be developed with the burgeoning ACT poetry-slam community.

For more information, visit http://www.edutopia.org/arts-music-curriculum-child-development

A WORLD-CLASS ARTIST-IN-RESIDENCY PROGRAM

The ACT region has all the ingredients to offer a world-class artist-in-residency program for all art forms: a planned an accessible city, a seat of modern democracy, a suite of national cultural institutions, over twenty key arts organisations, nationally recognised tertiary education providers, a vibrant urban environment surrounded by natural beauty and pastoral landscapes, a network of country towns, and a diverse and engaged population.  Artist-in-residency programs off time and space to create, but also help to bring in national and international artists to work with local artists and the community.  The ACT Government has developed a policy statement and tool kit, along with a small amount of funding for 2012/2013.  The Childers Group strongly advocates for there to be ongoing funding within the order of $200,000 over the next five financial years in order to fully realise the potential of the program.  This would build on the impetus generated by the Centenary of Canberra celebrations.