SUBMISSION: Framing the Future – the NSW Arts and Cultural Policy Discussion Paper

19 December 2013

NSW Arts and Cultural Policy
Arts NSW
PO A226
South Sydney  NSW  1235

FRAMING THE FUTURE – THE NSW ARTS AND CULTURAL POLICY DISCUSSION PAPER

Thank you for the opportunity to contribute to the development of Framing the Future, the NSW Government’s Arts and Cultural Policy Discussion Paper.

One of the regular fireshows developed and performed by Goulburn's Lieder Theatre

One of the regular fireshows developed and performed by Goulburn’s Lieder Theatre

The Childers Group is an independent arts forum for the ACT region established in 2011, comprising expertise across all art forms as well as experience working at the regional, territory/state, and national levels.  Since our establishment, the Group has delivered three annual forums attended by over 300 people including representation from the main political parties, held a variety of meetings with major stakeholders such as the Cultural Facilities Corporation and Tourism ACT, and submitted our issues and ideas to the ACT Government, the NSW Government, the Australia Council for the arts, as well as through the media.  In 2012 the Group joined ArtsPeak, the national confederation of 30 key arts advocacy organisations.  For more information visit www.childersgroup.com.au. Consequently, what follows is informed, considered, and situated in a national policy context.

We congratulate the NSW Government for preparing Framing the Future and for seeking community comment.  The document identifies a range of issues, opportunities, and actions, many of which will have significant positive arts and cultural outcomes, particularly in challenging economic times which appear to be ongoing.

However, we wish to raise the following six key areas where we believe the document could be strengthened, and these issues and suggestions should be considered in the development of any NSW arts and cultural development strategy:

  1. Acknowledgment that the ACT forms a part of NSW and plays a significant role in the development of regional areas – for example, data published in Attendance at Selected Cultural Venues and Events, Australia, 2009-10 (ABS) clearly indicates that people living in the Australian Capital Territory and the Northern Territory were more likely to visit an art gallery (46% and 30% respectively) or museum (46% and 45% respectively) than those living in the states.  Additionally, we wonder how much discussion there was between the NSW and ACT governments in the development of Framing the Future.
  2. Increased strategic funding relationships between NSW and the ACT, specifically in terms of the arts development of regional communities – there is a clear opportunity for the NSW and ACT governments to work together on an ongoing regional arts development fund to enable mutually beneficial partnerships.  For example, enabling NSW regional artists to access ACT infrastructure, and increasing the capacity of ACT arts organisations to provide services in NSW regional areas.
  3. Recognition of the advantages of artists basing themselves in regional areas due to cost-of-living pressures in the major cities, particularly Sydney, many artists are choosing to move to regional areas to progress their careers.  While there is limited arts infrastructure in these communities, this is somewhat offset by significantly cheaper rent/house repayments and access to digital technologies (noting, however, that access to digital technologies can also be limited).  It should also be recognised that many migrant communities are moving to – or are being settled in – regional communities, with the resultant possibility of rich and diverse arts and cultural expressions and needs.
  4. Many NSW regional towns, such as Braidwood, are significant hotbeds of arts and cultural activity, but access to arts infrastructure is limited.

    Many NSW regional towns, such as Braidwood, are significant hotbeds of arts and cultural activity, but access to arts infrastructure is limited.  Image Source: Destination NSW – Braidwood.

    A commitment to the development of regional arts infrastructure – we note that on page 12 the following vision is stated: Our aspiration is that the depth and diversity of culture across the whole of NSW, from metropolitan centres to regional NSW, is recognised and supported, and that regional communities have access to the state’s cultural experiences and meaningful opportunities for participation and careers in the arts. Whilst we applaud this vision, we note that many regional communities have limited or no arts/cultural infrastructure.  For example, Yass has no cinema, working theatre, or gallery.  Nearby, Goulburn fares better but only in modest terms.  The nearest government-funded arts infrastructure to both communities is in the ACT.

  5. Arts in education – how will regional and isolated NSW communities benefit from the roll-out of the national arts curriculum?  This needs to be better articulated in any NSW arts development strategy.
  6. Arts projects in regional communities – there is a need to significantly increase the funding available for the development of arts projects in regional areas, particularly in remote and isolated communities.  Further, funding of touring productions and investing in facilitators and associated amenities could assist in rural communities accessing and participating the arts.  We note that in regional communities arts activities are often initiated and delivered by an individual with entrepreneurial flair and interest in his/her local community.  Few NSW-funded events/exhibitions reach smaller regional communities, of which there are many.

In relation to regional development, we draw Arts NSW’s attention to recent investment lifestyle attractors, for example seasonal benefits, regional produce, and ‘arts and craft’. There is significant tourism potential in regional areas and there is an opportunity for NSW and ACT government tourism agencies to broker stronger partnerships to develop the visitor economy.

Important: we note that a consultative forum in the regional areas of NSW immediately adjacent the ACT would have enabled these communities to engage with the development of Framing the Future.

The Childers Group is available to meet with Arts NSW to expand on the above points.

*

 The Childers Group strongly recommends consideration of increased cooperation between the ACT and NSW for the benefit of both jurisdictions. As our cities, towns and regions change and grow, so too must our thinking in terms of providing opportunities and encouragement for our artists to develop and contribute, and nurturing creativity and social engagement within the wider community.

With this kind of support, the ACT/NSW region will continue its role as a vibrant, engaged, confident and sophisticated part of Australia.

Thank you again for the opportunity to comment on Framing the Future.

[signed]

Professor David Williams
Spokesperson

www.childersgroup.com.au
childersgroup@gmail.com

Note: for more information about Destination NSW, the source for our image of Braidwood, please go here.

Claiming the date: our next forum is just around the corner!

How important is it that we have a culture of robust and thoughtful arts criticism and dialogue?

How important is it that we have a culture of robust and thoughtful arts criticism and dialogue?

The Childers Group has been busy beavering away behind the scenes, contributing a submission to the development of the ACT Government’s budget for 2013/2014, providing feedback on the resultant budget, and also attending the associated ACT Legislative Assembly hearing process (we hope to be able to link to the Hansard report shortly).  However, we’re also working on our next forum, which will focus on arts review and criticism and is to occur on Friday 18 October, noon to 2pm, at the Gorman House Arts Centre in Braddon, ACT. We’ll be providing more details shortly, but ink it in – to say the least, it’s going to be an interesting discussion!

We expand our expertise

We are delighted to announced that we’ve expanded our areas of expertise, adding writer/educator Rosanna Stevens, singer-songwriter/musician James Fahy, and long-term arts worker Meredith Hinchliffe.

All of us who are involved in the arts are currently enjoying this extraordinary air of celebration in the ACT region.  It’s so important as a network of creative communities that we build on this groundswell of activity and starting thinking about what happens next.  To this end, the Childers Group has added three new members.  There is no doubt that Rosanna, James and Meredith will make terrific contributions to our advocacy work.

As a collective of arts advocates, the Childers Group is committed to maximising our diversity of expertise and strategic thinking.  Getting out of touch with the work of our artists and creative practitioners is simply not an option for us.  That’s why we’ve expanded our expertise – we want to make sure that our advocacy work is informed by the best brains possible.

JAMES FAHY

James Fahy

James Fahy

James Fahy is a MAMA-nominated multidisciplinary artist based in Melbourne and Canberra. He has written for entertainment magazine BMA and ANU newspaper Woroni, and had fiction published in ACT literary journal Burley. Alongside Rosanna Stevens, Duncan Felton and Adelaide Rief he is a co-director of the ACT young literary organisation Scissors Paper Pen. In March 2013 James completed a research internship with independent think-tank Grattan Institute.  As a musician, James has performed as a featured artist at the FUSE Music Conference in Adelaide, received national airplay for his EP The Sun Will Burn Through This Cloud, and played with high-profile acts including The Beards, the Wildes, A French Butler Called Smith, Beth and Ben, Peter Combe, and Novocastrian touring veterans Benjalu. In 2012, James was nominated for an award at the MusicACT Annual Music Awards in the category of Best Folk Artist. In 2010, James co-founded Canberra-based label Nash Cap Productions with Bec Taylor and Julia Winterflood. As an events organiser, host, musician and interviewer he has taken part in a string of festivals such You Are Here, the Canberra Multicultural Festival, the Illawarra Folk Festival, and the Woodford Folk Festival. With Joe Oppenheimer, James founded and co-produced the Pedestrian Orchestra, a year-long series of fifty concerts and arts performances aimed at encouraging Canberra’s emerging talent.

MEREDITH HINCHLIFFE

Meredith Hinchliffe

Meredith Hinchliffe

Meredith Hinchliffe has been involved with the arts since 1977 when she began work with the Crafts Council of the ACT. As part of the CCACT exhibition program she curated many exhibitions including several of individual artists and group exhibitions.  These included all craft media – ceramics, wood, textiles, leather, metalwork and, to a lesser degree, glass.  Craft ACT was included in some touring exhibitions and during her time at the organisation, Meredith showed an exhibition of Molas from the San Blas Islands of Panama. Meredith was a contributor to The Canberra Times from 1978 to 2009 and writes review articles of crafts and visual arts exhibitions and books.  She also writes about issues of importance to the arts.  She has written articles about for a number of journals, including the National Library News, Smarts, Pottery in Australia, Craft Arts  International, Textile Fibre Forum, Object and Ceramic Art and Perception. Meredith worked at The Australian Bicentennial Authority, artsACT and Business Development in the ACT Government.  She was responsible for grant programs in each area.

Meredith Hinchliffe was appointed the full-time Executive Director of the National Campaign for the Arts Australia Ltd in July 1996, until the organisation was wound up due to lack of funding in August 1997.  During this period she built up a strong network of media contacts and assisted with the successful campaign for Artbank to be retained as a government operation. From August 1997 to December 1999 she worked as a freelance consultant. In 2000 Meredith began an appointment for two years as Project Manager, Australian Science Teachers Association. She was appointed Executive Officer of Museums Australia, the national professional association for museum workers and museums in July 2002. She worked as Public Arts Project Officer for artsACT and has managed several public art installation projects. From July 2008 to April 2009 she was the inaugural Executive Officer of the Donald Horne Institute for Cultural Heritage at the University of Canberra.

Meredith has served on the boards of a number of local arts organisations and was President of Ausdance ACT until May 2011. She is approved to value Australian ceramics, glass, textiles, jewellery, leatherwork, wooden objects and furniture from 1950 for the Australian Government’s Cultural Gifts Program and has undertaken numerous valuations of works in most media, including the valuation of the Tamworth Regional Gallery’s textile collection. Meredith has been involved in a number of projects, including curating the Survey exhibition of the Tamworth Fibre Textile Collection in 2010. In 2000 she was awarded an ACT Women’s Award in recognition of her significant contribution to the ACT community in the arts.  In 2011 she was awarded an Australia Day medal by the National Gallery of Australia.

ROSANNA STEVENS

Rosanne StevensRosanna Stevens is currently the Communications Officer at the ACT Writers Centre, Senior Ambassador for the Australian National University Student Equity division, and co-producer and founder of Canberra’s young literary organisation, Scissors Paper Pen. In 2012 she was the recipient an artsACT grant to visit a variety of literary communities, initiatives and organisations in the United States of America. She also received CAL Creative Industries Career Funding while completing a three-month internship with San Francisco publishing house, McSweeney’s.

Rosanna has been a guest of the National Young Writers Festival, Adelaide Writers Week, You Are Here festival and the Emerging Writers Festival. She has also acted in a range of minor positions at literary festivals including Chairperson for the Melbourne Writers Festival, Volunteers Coordinator for the National Young Writers Festival, and Communications Officer for You Are Here festival. In 2011 she was National Young Writers Month co-Ambassador for New South Wales, and Katharine Susannah Prichard Writers Centre Young Writer in Residence in Perth. Her short fiction, non-fiction and poetry have been published nationally, and her work has received favourable mention in The Canberra Times, The Sydney Morning Herald, The Age, and The Australian.

Within her role at ANU Student Equity, Rosanna provides creative writing workshops to high-school students based in regional areas. Her passion for providing creative opportunities to young people and challenging popular educational paradigms has seen her work with students in Young, Bega, Goulburn, Yanderra, Canberra, Collector, the Blue Mountains, Chicago and San Francisco. Rosanna is currently completing a Master of Philosophy at the Australian National University.

2013-2014 ACT BUDGET SUBMISSION

The Childers Group believes that the 2013-2014 ACT Budget is the most important budget for the regional arts community in a decade.

The Childers Group acknowledges that the ACT Government is a significant supporter of the arts development of the ACT and neighbouring regions.  The Government is the primary financial contributor to over twenty key arts organisations, which enable the community to access a diversity of programs and enable professional artists to progress their careers, many reaching national and international audiences.  The Government also supports individual artists directly through the ACT Arts Fund and its associated programs.

In this Centenary year, we’re experiencing the maturing of much of this activity, with a rich and exciting array of events and programs in which our community and visitors can participate. Therefore, the 2013-2014 ACT Budget is the most important one for the arts in a decade, as it must build on the momentum ignited by the Centenary.

It’s an opportunity too good to miss.

What services does the Childers Group believe are most important for the Territory?*

Air artistA modern and mature society such as the ACT’s deserves ongoing access to a wide variety of arts and cultural programs.  In general, the Childers Group supports the broad intent of the programs delivered by the ACT Government through its two main arts and cultural bodies – artsACT and the Cultural Facilities Corporation.  However, the Group also advocates for ongoing review to ensure that the programs delivered are cost-effective and productive.  Consulting with the arts community is critical in any review process, and the Childers Group is able to assist in this regard. Funding levels must also be regularly revisited to ensure that delivery is professional, sustainable, and reaching the community.

What infrastructure priorities should the Government consider initiating in the next four years?*

  • The realistic support of key arts organisations – ensure that through the ACT Arts Fund CPI continues to be provided to Key Arts Organisations on an annual basis.
  • Appropriate pay for arts workers – ensure that there are no professional arts workers employed by Key Arts Organisations earning less than the average Australian wage of approximately $55,000 per annum. The Childers Group advocates for the benchmarking of professional arts worker salaries with salaries in the Community Sector and with arts personnel in other states and territories. Payment of ACT arts workers’ salaries commensurate with their skills and experience will ensure the retention of qualified people with the necessary expertise to manage Canberra’s arts and cultural services.  It will also ensure the sound management and development of strong policies within the key arts facilities built by the ACT Government.
  • Related to pay for arts workers is the critical issues of superannuation and long-service leave provisions the increase in superannuation up to 12% begins in 2013 and increases steadily over the next five years and will have an impact on all funding, for organisations and one-off projects. The position of arts organisations in relation to retaining staff and meeting ACT long-service leave obligations is also a real and increasing cost attached to the $55 per annum figure mentioned above. The arts have obligations like any other business and if there is a commitment to addressing retention of artists and arts staff in the ACT then there are real costs attached to that – more so than other states e.g. there are greater long-service leave obligations in the ACT
  • Private-sector philanthropy – there is an urgent need for an incentives-based approach that brings together business and arts in the ACT, not necessarily paying an individual to broker relationships but rather developing a suite of strategic benefits for investment by business and individuals in the arts.  We strongly advocate for the ACT Government to provide seed-funding in the first instance.
  • You are hereOngoing funding of the You Are Here festivalYou Are Here is a cross-arts festival showcasing the ACT’s alternative arts and underground culture. It highlights the energy, innovation and talent of Canberra artists past and present, presenting and promoting their work in non-traditional venues, revitalising inner-city spaces and attracting new audiences. The Festival is one of the most tangible outcomes of the build-up to the Centenary and considerable support for its continuation was raised during the Childers Group forums in 2012.  We estimate that the Festival requires a minimum of $150,000 per annum over the next three years to build on its successes to-date and become a regional and state-wide cultural drawcard.  It is essential to showcase the art forms of youth and to engage new audiences with contemporary ideas and arts practice.
  • Increased support for one-off arts activities the ACT Arts Fund’s ‘project round’ supports one-off activities for individual artists and groups of artists to initiate and develop their own independent projects. Key arts organisations provide core infrastructure, but they cannot be ‘all things to all people’, nor do they receive program funding to engage artists on major projects. The Project Funding category is – regrettably – supporting fewer projects each year due to the increasing cost of delivering arts projects; this is especially true of the performing arts. The Childers Group strongly advocates for this category to receive additional funding of $250,000 per annum over the next three years.  This is particularly important in building on the momentum of the Centenary celebrations.
  • A dance hub – Ausdance ACT recently conducted a review of dance facilities in Canberra.  The organisation found that the numbers of dancers, particularly in schools and other cultural groups, is under-reported, but statistics indicate over 10,700 people participate in dance in the ACT.  The Ausdance review found that there is an urgent need for good facilities in the ACT.  Building on the ‘hub’ model, Canberra needs a high-quality dance hub with state-of-the-art facilities.  The facilities could be shared between a number of organisations, offering space for schools, classes, and our independent dance creators and choreographers as well as performers.  Locations that are currently under-serviced and would be suitable sites include: the inner sections of central Canberra, Gungahlin , Central Belconnen, South Tuggeranong, and Weston Creek. The Childers Group commends the review and endorses the recommendations.
  • A world-class artist-in-residence program – The ACT region has all the ingredients to offer a world-class artist-in-residency program for all art forms: a planned and accessible city, a seat of modern democracy, a suite of national cultural institutions, over twenty key arts organisations, nationally recognised tertiary education providers, a vibrant urban environment surrounded by natural beauty and pastoral landscapes, a network of country towns, and a diverse and engaged population.  Artist-in-residency programs offer time and space to create, but also help to bring in national and international artists to work with local artists and the community.  Recently the ACT Government developed a policy statement and tool kit, along with a small amount of funding for 2011/2012 and 2012/2013.  The Childers Group strongly advocates for ongoing funding of $200,000 over the next four years in order to fully realise the potential of the program.
  • Significantly enhanced arts-in-education services the establishment of an Arts-in-Education Officer position would build relationships, partnerships and programs between the Education Directorate and the Community Services Directorate. Ideally this should be a Senior Officer Grade C, paid for by the Education Directorate, with the officer spending 50% of time in Education and 50% at artsACT. In the first instance, this should be a 3-year initiative. Similar initiatives in other states e.g. WA, have proved very beneficial. Establishing and consolidating existing links between artists, arts organisations and schools and the tertiary sector should be a key component of the work. Engagement in the arts throughout a child’s schooling, including early childhood, has immeasurable benefits which are now both quantifiable and proven in countries that have invested in strong arts programs within their schools.
  • Improved arts publicity and promotion services – the arts are an important tourist attraction in Canberra. To increase publicity for the arts there needs to be a specific ACT Government program to ensure closer liaison between the arts sector-local and national, and ACT Tourism.  We are seriously missing out on creative marketing that effectively and powerfully links the cultural attractions and food and wine trails of our region. This has been done to great effect in Victoria and Tasmania.  The Childers Group believes that with a more strategic approach cultural tourism could be strengthened in our region.
  • A whole-of-government service approach to arts development encouraging all directorates and agencies to examine ways in which they may directly or indirectly support the arts would enhance cultural life in CanberraFor example, potential exists for the development of collaborative arts arrangements with health, education, and heritage.  To make this a reality, the Childers Group recommends the creation of specific position within the ACT Government to facilitate connections and multi-directorate programs and projects.
  • Building creative partnerships with the regions – in many ways the ACT not only services the arts and cultural needs of its own citizens but also those who live in the neighbouring regions.  The regions have their own strengths and challenges, but greater partnerships between the ACT and the regions would result in deeper and more diverse opportunities; additionally, it would further cement this part of Australia as one of the most creative, leading to an increase in cultural tourism.  The Childers Group advocates for the establishment of a specific Regional Partnerships Fund at $100,000 per annum over the next three years and to be delivered by artsACT in close consultation with the regional arts development offices such as Southern Tablelands Arts (STARTS) and South-East Arts Region (SEARS).

Should the Government maintain its current suite of services?*

Yes, the ACT Government must maintain its current suite of arts and cultural services.  However, it should also investigate ways of improving the services to maximise their reach into the community and ensure that artists are receiving the support needed.  Funding realistically is the key, as is ensuring organisational sustainability and growth.

How can the Government deliver current services more efficiently and productively?*

In broad terms, the Childers Group supports the notion of arts hubs – co-locating similar organisations to rationalise administrative costs, to increase community access, and create an overall sense of vibrancy.  However, we also believe that arts hubs are more appropriate to some art forms than others – for example, dance (as mentioned above) and visual arts at the Kingston Foreshore – and that in some instances co-locating dissimilar organisations may also have positive results – for example, co-locating the ACT Writers Centre with ScreenACT may result in positive synergies.  The Childers Group strongly advocates that there is more work to be done to realise the potential of arts hubs work, particularly in terms of sector commitments versus individual organisation commitments.

Are there any services the Childers Group considers that the community should make a direct contribution to (a fee for service)?*

Matt Ellis CollectiveThere is already a considerable fee-for-service culture in the ACT’s arts sector.  For example, most programs and workshops provided by the ACT Government-funded key arts organisations have a fee attached, as is membership of organisations.  In general, the Childers Group supports a fee-for-service approach, but also acknowledges that fees need to be kept affordable in order to maximise accessibility.  It should be recognised that for many communities participating in arts activities is as much about social interaction than creative production and these activities should be low-cost or free wherever possible, which is consistent with the accessibility theme raised in the Loxton Report.

The recent initiative of the ACT Government in supporting six Community Cultural Inclusion Officer positions to engage our community in creative activities is an important step in helping address access.  Skilled facilitators are essential for inclusive community cultural development.

The ACT leads our nation in both community participation and attendance at arts and cultural events. The Childers Group strongly recommends consideration of increased investment in the arts as outlined in our submission. As our city and the region grow and develop, so too must our thinking in terms of providing opportunities and encouragement for our artists to stay, and nurturing creativity and social engagement within the wider community.

With this kind of support, the ACT region will continue its development as a vibrant, engaged, confident and sophisticated National Capital area.

The next creative generation depends on it.

If you would like to provide feedback on the Childers Group’s 2013-2014 ACT Budget submission, please email us childersgroup@gmail.com or engage with us through Facebook or Twitter.

* Questions asked by ACT Treasury

CHILDERS GROUP CLIMBS TO THE HEIGHTS OF ARTS PEAK

Rock climbingThe Childers Group, the only arts advocacy body for the ACT region, has joined ArtsPeak, the confederation of Australian peak arts organisations.  This is an exciting opportunity for us.  Since our establishment in 2011 we have found our feet and started to have a real impact on the development of the arts and cultural life of our region.  However, joining ArtsPeak enables us to situate our advocacy in a broader national context.

The membership of ArtsPeak includes 30 key advocacy organisations, including the National Association for the Visual Arts, Regional Arts Australia, Ausdance, Young People and the Arts Australia – and now the Childers Group.

Joining ArtsPeak gives our advocacy a certain gravitas.  This is particularly important as the ACT and region is currently celebrating significant milestones, including the Centenary of Canberra. The Childers Group is already starting to think about what happens next in our region and we’re thrilled to now be in a position to bounce ideas off our ArtsPeak colleagues and be a part of a connected, informed and energised national arts advocacy movement.

ArtsPeak’s priorities for the immediate future are:

  • a long-term cultural framework and the necessity for adventurous arts policies that emphasise cross-departmental support for arts and culture – this will need a much greater funding commitment to sustain and grow arts infrastructure and to support the intrinsic and economic contribution of artists.
  • the viability of creative practitioners’ careers with appropriate professional development and lifelong skills that contribute to the economic and cultural life of the community, with fair payment and ethical conditions supported by appropriate legislation and regulation.
  • the importance of a good arts education from early childhood through school and into higher education, anticipated by the introduction of the Australian Curriculum for the Arts in 2014 – TAFE cuts to arts training and the gradual contraction of arts education options in universities are of major concern.
  • greater need for better recognition of and support for the diversity of the arts, including Australia’s unique Indigenous culture, multicultural communities and people with disability across urban, regional and remote Australia – the importance of international engagement and exchange is strongly advocated.
  • maintenance of the arm’s length and peer-assessment principles in the restructure of the Australia Council, and greater flexibility and responsiveness to developments in the arts sector – ArtsPeak strongly argues that art form expertise should be maintained.

 

THE ARTS IN THE ACT REGION: BURNING ISSUES AND RADICAL IDEAS’ – SUMMARY OF FORUM

On Wednesday 18 April 2012 at The Street Theatre in Canberra, the Childers Group held its first forum, ‘The Arts in the ACT Region: Burning Issues and Radical Ideas’.  The invited special guests were: Robyn Archer, Creative Director of the Centenary of Canberra; Vicki Dunne, ACT Opposite Spokesperson for the Arts; Yolande Norris, You Are Here Festival Producer; Caroline Le Couteur, Greens Spokesperson for the Arts; and Omar Musa, poet and performer.

Each special guest was asked to present a burning issue and a radical idea.  Approximately 140 members of the ACT-region arts community attended and many took the opportunity to share their own burning issues and radical ideas.  Genevieve Jacobs from ABC Radio Canberra facilitated the two-hour discussion.

The following serves as a summary of key points; it does not purport to document every issue or idea, but the key themes.  The ordering of the key points does not necessarily reflect the priority of the arts community or the Childers Group.  The Childers Group also wrote an article about the forum, ‘ACT a crucible of the arts’, which was published in The Canberra Times on 28 May 2012.

BURNING ISSUES:

 Canberra

  • what is our identity?
  • Canberra is a small city with a large cultural structure
  • Canberra is an innovative and creative city
  • important to recognise that Canberra is a regional city, but strategically it’s very well placed
  • the Centenary is making Canberra and Australia value local work
  • value what we’ve got
  • don’t listen to negatives – stop talking about Canberra having an inferiority complex!
  • generally the ACT-region arts community is silent – stand up and be heard! (the Childers Group is an excellent evolution)
  • make a connection between the south of the lake and the north of the lake
  • Canberra has great youth circus – build on this
  • it was generally agreed that Canberra and the region is rich in creativity and the arts are valued; investment in and the promotion of this flourishing region was strongly recommended by many attending the forum

The region

  • go beyond the border – the border means nothing
  • there’s great arts activity happening in the surrounding region area
  • from a regional perspective, Canberra can be parochial

Policy

  • we don’t have clear statements of what we want, i.e. a comprehensive, meaningful cultural policy

Support for artists

  • cultivate local production
  • support the voice of individual artists
  • many artists don’t get support from local audiences
  • concern that artist salary levels are too low (it was noted that this is also a national problem)
  • how best to support artists with disabilities?

The economy

  • the economics will defeat us if we are not creative in delivery
  • there’s a schism between professional and community arts – there needs to be an investment in both
  • housing affordability is a major challenge – what will this mean to the future of a creative capital?
  • investigate and build alternative revenue streams
  • how to build a culture of philanthropy?
  • collecting and applying data is important

Arts in the public realm

  • Canberra has a good compilation of facilities – bring it all together
  • Canberra is too fond of the wrecking-ball i.e. it demolishes buildings too soon
  • how to make the Kingston Arts Precinct and the Fitters Workshop truly come alive?  New Acton is a great example of an arts precinct that brings everything together beautifully
  • public art: how to get the balance right in terms of the expenditure and how to get the process right in terms of outcomes?
  • art is an everyday part of life: how can we better integrate it?
  • the ACT planning system doesn’t actively enable the arts
  • spaces  are needed for contemporary music gigs
  • The Canberra Times could make a more positive contribution to how complex arts issues are resolved

Engagement, marketing and tourism

  • the main problem lies with Canberra not telling its own story – there’s a lot happening and people don’t know about it
  • how to bring the arts community and the broader community together?
  • value and recognise local arts activity, not just ‘the blockbusters’
  • the national cultural institutions tend to get all the limelight
  • ACT tourism bodies need to take local arts activity seriously beyond the work of the national cultural institutions – there’s little interconnection with tourism and local arts events and activities
  • cross-sector, cross-jurisdiction, cross-organisation collaboration is paramount
    how to engage the transient members of the ACT community?

Arts in education

  • we need to expand participation
  • we need to hear from new strong voices
  • more funding and support for facilitating engagement in the arts by young people
  • how to get more people involved in poetry?

RADICAL IDEAS:

Engagement, marketing and tourism

  • an ACT-region arts calendar
  • an arts web-site based on the ‘AllHomes’ model e.g. ‘AllArts’
  • make the most of www.creativespaces.net.au
  • use the internet to sell Canberra content nationally and internationally
  • tour and/or broadcast Canberra content to regional areas (and vice verse)
  • find ways to bring back artists who have left the ACT region
  • import the inspirational
  • take up the opportunities presented by the National Broadband Network
  • keep the You Are Here Festival going
  • expand the Multicultural Festival to include more arts
  • make the most of the Centenary of Canberra
  • be outrageous, provoke comment

The economy

  • double the ACT Government’s arts budget by 2020

Arts in the public realm

  • a future-proof showcase venue to market ACT-region arts product nationally and internationally
  • more adaptive re-use of old buildings
  • let arts precincts grow on their own, flourish in an organic fashion, rather than rush or force them
  • more local arts commissions in public art
  • more art in architecture
  • more functional art, e.g. bike stands designed by artists
  • sound barriers so people can sleep and people can listen to music and bands can perform
  • make Canberra a centre for guerilla art

Arts in education

  • an ACT-wide poetry slam program in schools (hip hop and slam poetry is a great opportunity to engage young people in arts activity)
  • we have an amazing and vibrant youth culture – let’s build on this
  • nurture the instinct in our children to go out and develop art

The CHILDERS GROUP welcomes aboard David Pereira and Michael Tear

The CHILDERS GROUP is delighted to have David Pereira and Michael Tear join us.  David and Michael bring valuable knowledge and experience in their fields of music and film respectively, as well as a long-standing commitment to arts advocacy locally, nationally and internationally.

David Pereira is best known as one of Australia’s top cellists, and his distinguished playing and teaching career spans five decades.  Based in Canberra since 1991 he teaches cello at the ANU School of Music and freelances as a performer.  David also composes, improvises, and has published three works on the subjects of cello technique and artistry. In 2010 he was awarded the Citynews Artist of the Year.  Update: as of February 2012, David Pereira is no longer involved with the Childers Group.

Michael Tear is Managing Director and co-founder of Bearcage Productions.  Bearcage is Canberra’s largest full-service film, television, video and interactive media company.  Michael is an experienced Executive Producer and Producer of film and television and has numerous television credits for Nine, ABC and FOXTEL in Australia as well as overseas. Michael’s company has won over fifty creative awards, and he was recently appointed to the Australian Government’s Creative Industry Innovation Centre Advisory Board.

Michael and David augment the CHILDERS GROUP wonderfully, and we look forward to being a strong and articulate voice for the arts in the ACT region.

More information about David Pereira and Michael Tear can be found at our ‘Areas of Expertise’ page above.